The Look of the End of the World Has Become a Style
Apocalypse on television now has a palette. Desaturated greens, dust in the light, a horizon interrupted by something broken. Stuart Fails to Save the Universe, the HBO Max comedy that…
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Bloodlines and Bureaucracy: Archie Moore’s Historic Triumph at the Venice Biennale
Archie Moore’s Golden Lion-winning installation, kith and kin, transforms the Australian Pavilion into a 65,000-year…
Beauty Is Power; a Smile Is Its Sword
On beauty as a form of agency in art and fashion — and the long…
Threads of Connection: How Manchester is Reweaving Heritage Through Digital Art
Inside Threads of Connection, a collaboration between Manchester Museum and SODA that uses digital media…
The Venice Biennale’s ‘Breasts’ Exhibition Reclaims the Female Form from the Male Gaze
Curator Carolina Pasti’s ‘Breasts’ exhibition at the 60th Venice Biennale explores the political, social, and…
The 2026 Cannes Film Festival, Review.
By Sarah Johnson Cannes is a lot. Honestly. It’s always just… a lot. Yachts, mostly,…
When the Paintbrush Becomes a Loaded Gun
By Sarah Johnson By Sara Bright In 1994, a Mennonite art teacher named Esther Augsburger…
The Two Lives of Tracey Emin: Anatomy, Art, and a Second Act
Following a life-altering cancer diagnosis, Tracey Emin’s 2026 Tate Modern retrospective reveals an artist reborn…
Met Gala 2026. Expensive Anxiety on the Steps
By Sarah Johnson The Met Gala happened. Again. “Costume Art”. That was the actual theme.…
Flesh and Marble: The Enduring Sovereignty of the Greek Pantheon in Western Art
From the Parthenon to Picasso, the gods of ancient Greece have dictated the aesthetic and…